FSME 840 is a collaborative investigation to explore the concept of "the Music to Come," a term borrowed from French composer and writer François Bonnet, who suggests that music remains to be discovered and is still hidden. The music to come is not something that the composer creates alone, but rather the many relationships that one composition can produce with its listeners. The music to come is the pure and subjective moment of our listening experience. If we shed our cultural baggage and expectations of rhythm, melody and meaning, what we are left with is pure sensation — an experience of being displaced from who you are and engaging in a kind of bare relationship with your own perception.

-----------

Concept: Martin Ožvold and Elia Moretti
Performance: Ellia Morreti - Percussions and Objects, Martin Ožvold - Electronics, Pierre Louis Barge - Voice
Composition, mix, mastering: Martin Ožvold
Additional recordings:
– Felix Blume A "petanque" game (king of french game of bowl) in a holidays center. Some old people are playing, throwing the ball, talking each other… (France)
– Zetheyou AMB Partie de pétanque Cruis Eglise cloche à 28m.WAV
– Emily Apter Introduction to NYU The Sense of Sound: The Art of Listening 
– Peter Szendy / Peter Szendy (YouTube)
– Blush Response -THE KORG MULTI POLY IS A FUTURE LEGEND (YouTube)
– Lollypopbeatz - I Made The HARDEST Beat For Ken Carson! (YouTube)
– Peter Szendy in : On Listening #1: Thinking (through) the ear, program by the radio of Barcelona’s Museum of Contemporary Art, MACBA.
Additional Voices: Elia Moretti, Ondřej Ježek, Martin Ožvold
Technical assistance and recording: Vít Jeřabek, Ondřej Urban, Ondřej Ježek
Production and Commision: Ladislav Železný, Czech Radio